Unit: College of Arts and Sciences
Department: Middle Eastern and South Asian Languages and Cultures
Office location and address
1605 Jefferson Park AveCharlottesville, Virginia 22904
This course follows the first-semester introductory forum class and keeps students engaged in the content of their forum. Students should enroll in the section associated with the forum to which they were accepted. (See http://college.as.virginia.edu/forums for information on the forums.)
With sponsorship and supervision by a faculty member and approval of the Dean's Office, acting for the Committee on Educational Programs and the Curriculum, students may initiate a course in which they provide the instruction. The grade is determined by the faculty member. These courses count as "outside the College." Students in the College may offer no more than 3.0 credits for the B.A. or B.S. Consult the INST course web page at http://www.uvastudentcouncil.com/student-services/initiatives/cavalier-education-program/ (copy and paste Web address into browser) for specific descriptions.
Transnational Circuits of Cinema: An Introduction to Middle East - South Asia Film History - Since its very inception as a traveling fairground attraction, cinema has been a globally-circulating medium. This course begins in the moment of early cinema and proceeds through the contemporary moment, with a focus on Middle East - South Asia genealogies of filmmaking.
This course is the capstone course for forum students. It is to be taken in the fourth semester by forum students only. Students should enroll in the section associated with the forum to which they were accepted. (See http://college.as.virginia.edu/forums for information on the forums).
Film Festivals and Global Media Cultures: Middle East- South Asia Spotlight- With an emphasis on transnational film festival histories and collective media cultures in the Middle East and South Asia, this course offers a semester-long study of film festivals, as an intersection of historical and media industry approaches to cinema. Tie-ins will include comparative analyses of local film cultures and film festivals.
This course is devoted to the longstanding screen histories of A Thousand and One Nights. We will investigate the way in which the text has variously congealed into a cinematic genre in its own right; a catapult for explorations of the fantastic, iterated as the wonders of technology/medium and sensuality; a contested site of negotiating Orientalist desires and stereotypes; and a platform for reflection upon the question of storytelling itself.
This course explores the cinematic and media worlds of fictional spies. We'll consider histories of espionage and zoom in on the Cold-War-era heyday of modern espionage and fictional spies. By following the narrative, formal, and historical geographies of spy genres in and beyond the Middle East and South Asia, we'll connect depictions of espionage and gadgetry to perspectives on seeing and being in the modern world.
New Course in Middle Eastern & South Asian Studies
Thesis research under the direction of a MESALC faculty member serving as thesis advisor and a second faculty member serving as second reader. The second faculty member may be from outside MESALC. Prerequisite: DMP major and instructor permission.
Thesis composition under the direction of a MESALC faculty member serving as thesis advisor and a second faculty member serving as second reader. The second faculty member may be from outside MESALC. Prerequisite: DMP major and instructor permission.
This course begins in the era of early cinema and proceeds through the contemporary moment, with a focus on Middle East -- South Asia genealogies of filmmaking. Its emphasis remains on the quintessentially transnational histories (parallels, intersections, circuits) of these cinemas - e.g., the centrality of popular Egyptian cinema within the Arab world; the prolific circulation of Hindi cinema across and beyond South Asia.