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Leah Reid is a composer of acoustic and electroacoustic music. Her primary research interests involve the perception, modeling, and compositional applications of timbre. In her works, timbre acts as a catalyst for exploring new soundscapes, time, space, perception, and color.
In recent reviews, Reid’s works have been described as “immersive,” “haunting,” and “shimmering.” She has won numerous awards, including the International Alliance for Women in Music's Pauline Oliveros Prize for her piece Pressure and the Film Score Award for her piece Ring, Resonate, Resound in Frame Dance Productions’ Music Composition Competition. Her works are frequently performed throughout Europe and North America, with notable premieres by Accordant Commons, the Jack Quartet, McGill’s Contemporary Music Ensemble, Sound Gear, Talea, and Yarn/Wire. Her compositions have been presented at festivals, conferences, and in major venues throughout the world, including BEAST FEaST (England), EviMus (Germany), Forgotten Spaces: EuroMicrofest (Germany), the International Computer Music Conference (USA), IRCAM’s ManiFeste (France), the San Francisco Tape Music Festival (USA), the Sound and Music Computing Conference (Germany), the Tilde New Music Festival (Australia), and the Toronto International Electroacoustic Symposium (Canada) among many others. Samples of her music are available through Ablaze Records.
Reid received her D.M.A. and M.A. in music composition from Stanford University and her B.Mus from McGill University. Reid’s principal teachers include Mark Applebaum, Jonathan Berger, Brian Ferneyhough, and Sean Ferguson. She has taught at Stanford University (Stanford, CA), University of the Pacific (Stockton, CA), and at Cogswell Polytechnical College (San Jose, CA). Reid is currently an Assistant Professor at the University of Virginia, where she teaches courses in music composition and technology.