FM
Unit: College of Arts and Sciences
Department: Department of Music
Office location and address
Old Cabell 202
30 South Lawn
Charlottesville,
Virginia
22904
Biography
Fred Everett Maus teaches music at the University of Virginia. He has written on music and narrative, gender and sexuality in relation to discourse about music, popular music, embodiment, music therapy, and other subjects. He was a founding member of the editorial board of the journal Women and Music and for several years its book review editor; he served as the first Chair of the Queer Resource Group of the Society for Music Theory. Recent essays include "Listening and Possessing" (forthcoming), "Sexuality, Trauma, and Dissociated Expression" (2015), "Berlin Postcards" (2015), "Classical Concert Music and Queer Listening" (2013), and "Narrative and Identity in Three Songs about AIDS" (2013). He is co-editor of the Oxford Handbook of Music and Queerness (forthcoming).
Publications
Courses
Credits: 1–3
Prerequisite: Instructor permission.
Credits: 3
Studies the range of music that has flourished since the end of the 19th century including modernist and post-modern art music, popular music, and world music, through historical, critical, and ethnographic approaches. Prerequisite: The ability to read music, or any three-credit course in music, or instructor permission.
Credits: 3
Studies the pitch and rhythmic aspects of several musical styles, including European art music, blues, African drumming, and popular music. Focuses on concepts and notation related to scales and modes, harmony, meter, form, counterpoint, and style. Prerequisite: Ability to read music, and familiarity with basic concepts of pitch intervals and scales..
Credits: 3
Studies pitch and formal organization in European concert music of the 18th and 19th centuries. Includes four-part vocal writing, 18th-century style keyboard accompaniment, key relations, and form. Students compose numerous short passages of music and study significant compositions by period composers. Prerequisite: MUSI 3310 or instructor permission.
Credits: 1
Exploration of collective activities that involve listening and making sound together, and other interactions, at the intersection of music-making and contemplative practices, drawing on the work of Pauline Oliveros, the Fluxus artists, and other musicians and thinkers. Weekly reading assignments for conceptualization in relation to the experiential component; weekly email responses to readings along with several brief reflective papers.
Credits: 1–4
This course provides the opportunity to offer new topics in the subject of Music.
Credits: 1–3
Prerequisite: Instructor permission.
Credits: 3
Studies in 18th-, 19th-, and 20th-century techniques and styles through analysis and composition. Prerequisite: MUSI 3320 or instructor permission.
Credits: 3
Selected topics, announced in advance, exploring the study of music within cultural and historical frameworks. Prerequisite: Instructor permission.
Credits: 3
Selected topics, announced in advance, exploring the study of music within critical frameworks. Prerequisite: Instructor permission.
Credits: 3
Required Thesis for Interdisciplinary majors.
Credits: 3
Required Thesis for Interdisciplinary majors.
Credits: 1–3
Prerequisite: Instructor permission.
Credits: 3
Selected topics, announced in advance, exploring the study of music within cultural and historical frameworks. Prerequisite: Instructor permission.
Credits: 3
Current Studies in Research and Criticism Prerequisite: Instructor permission.
Credits: 3
Reading and/or other work in particular fields under supervision of an instructor. Normally taken by first-year graduate students. Prerequisite: Instructor permission.
Credits: 3
Reading and/or other work in particular fields under supervision of an instructor. Normally taken by first-year graduate students. Prerequisite: Instructor permission.
Credits: 1–3
Independent study dealing with a specific topic. Requirements will place primary emphasis on independent research. Prerequisite: Instructor permission.
Credits: 1–12
For master's research, taken before a thesis director has been selected.
Credits: 1–12
For master's thesis, taken under the supervision of a thesis director.
Credits: 1–12
Preliminary research directed towards a dissertation in consultation with an instructor. Prerequisite: Instructor permission.
Credits: 1–12
For doctoral dissertation, taken under the supervision of a dissertation director. Prerequisite: Instructor permission.